This publication, is a combination of exhibition catalog and guide, produced in conjunction with the show, presented in a handy format. Seven essays, an extensive series of images and short texts provide information about the projects. International artists are invited to develop site-related works for Münster.
Skulptur Projekte Münster 2017 #ad - For 40 years, the skulptur Projekte Münster has been a unique engine for contemporary art. Held every ten years, its curatorial direction has been in the hands of Kasper König since its inception in 1977.
documenta 14: DaybookPrestel #ad - It features artwork created by the artist specifically for the book and specially commissioned texts by an impressive array of critics, historians, curators, poets, and novelists. Follow the 163 days of documenta 14 in this stunning daily record created by the event’s artists. Exquisitely designed and produced to echo the event’s diverse excellence, the documenta 14: Daybook offers an insider’s view of one of the art world’s most inventive and powerful exhibitions.
. Documenta 14 promises to be one of the most exciting iterations in the exhibition’s 62 year history. Presented in the form of an artist’s daybook, this journal offers readers a panoramic view of the event through wide-ranging perspectives. Each “daily” spread is created by one of the exhibition’s artists.
The documenta 14 ReaderPrestel #ad - This enlightening book, which takes the form of a “reader, ” brings the 2017 documenta―its fourteenth iteration―to the page. Accompanying documenta 14, this book functions as a “reader, ” evoking the various meanings associated with that term. Prestel. More than sixty years later, documenta 14 returns to its initial motivation by extending its base in the city of Kassel, Germany to Athens, Greece.
. First conceived in 1955 by arnold bode, the inaugural documenta exhibition endeavored to bring Germany back into artistic dialogue with the rest of the post-war world. As the current social and political trends in Europe and the world have divided people geographically and economically, this documenta returns to its roots―bringing to light another significant moment in world history.
The documenta 14 Reader #ad - Emphasizing the importance of literature, and pedagogy, performance, storytelling, it features illustrations and critical writings that address and expand upon the exhibition’s theme of economic and cultural realities in a new world.
Whitney Biennial 2017Whitney Museum of American Art #ad - With a history of exhibiting work by the most promising and influential artists and provoking debate, the Biennial—the Museum’s signature exhibition—is the longest running survey of American art. This handsome book features texts and images representing the Biennial participants, and performance, photography, film, sculpture, artists who work in a variety of media including painting, as well as essays by the two curators and contributions by the advisors.
Prestel. Lew and Mia Locks. Lew and locks are working in collaboration with a small group of advisors, including Scott Rothkopf, Aily Nash, Negar Azimi, Gean Moreno, and Wendy Yao. Always highly anticipated and beautifully packaged, this book is an essential record of the current trends in contemporary art in America Since its introduction by Gertrude Vanderbilt Whitney in 1932, the Whitney Biennial has charted new developments in art and brought emerging artists to light.
Whitney Biennial 2017 #ad - For more information on the 2017 Whitney Biennial and its participating artists, visit www. Whitney. Org. Yale university press academic. As a record of the artists and ideas presented in this important survey exhibition, this catalogue serves as an essential resource on current trends in contemporary art in the United States.
Duty Free Art: Art in the Age of Planetary Civil WarVerso #ad - What can we do when arms manufacturers sponsor museums, political economies, visual culture, and the digital white noise that bombards our everyday lives? Exploring subjects as diverse as video games, and some of the world’s most valuable artworks are used as currency in a global futures market detached from productive work? Can we distinguish between information, the proliferation of freeports, WikiLeaks files, she exposes the paradoxes within globalization, and political actions, fake news, and the status of art production.
They extend from a region where the audience is pumped for tweets to a future of “neurocurating, ” in which paintings surveil their audience via facial recognition and eye tracking to assess their popularity and to scan for suspicious activity. Yale university press academic. Prestel. In duty free art, filmmaker and writer Hito Steyerl wonders how we can appreciate, or even make art, in the present age.
Duty Free Art: Art in the Age of Planetary Civil War #ad - What is the function of art in the era of digital globalization?How can one think of art institutions in an age defined by planetary civil war, growing inequality, and proprietary digital technology? The boundaries of such institutions have grown fuzzy.
Queer Whitechapel: Documents of Contemporary ArtThe MIT Press #ad - Key artists' writings that have influenced and catalyzed contemporary queer artistic practice. Historically, “queer” was the slur used against those who were perceived to be or made to feel abnormal. While queer draws its politics and affective force from the history of non-normative, and bisexual communities, lesbian, gay, it is not equivalent to these categories, nor is it an identity.
Beginning in the 1980s, “queer” was reappropriated and embraced as a badge of honor. K. Together these texts describe and examine the ways in which artists have used the concept of queer as a site of political and institutional critique, as a spur to action, as a framework to develop new families and histories, and as a basis from which to declare inassimilable difference.
Queer Whitechapel: Documents of Contemporary Art #ad - Artists and writers includeNayland Blake, Leigh Bowery, Gregg Bordowitz, AA Bronson, A. Mit Pr. Yale university press academic. By definition, there can be no singular “queer art. Here, in the first documents of contemporary Art anthology to be centered on artists' writings, numerous conversations about queer practice are brought together from diverse individual, social and cultural contexts.
Artists who identify their practices as queer today call forth utopian and dystopian alternatives to the ordinary, and forge unprecedented kinships, relationships, embrace criminality and opacity, adopt outlaw stances, loves, and communities. Rather than a book of queer theory for artists, this is a book of artists' queer tactics and infectious concepts.
Owens, LauraWhitney Museum of American Art #ad - Yale university press academic. Each book includes a specially designed set of stickers that readers can use to customize their own cover. Together, movements take hold, all of these elements provide a rare and intimate look at how an artist might make her way in the world as well as how art gets made, and relationships evolve over time.
A richly illustrated, expansive mid-career survey of the stand-out American artist’s pioneering and influential work Published to coincide with a major exhibition at the Whitney Museum of American Art that travels to Dallas and Los Angeles, this book on the work of Laura Owens b. A rich trove of more than a thousand images, exhibition announcements, drawn from the artist’s personal archive and largely unpublished before now, academic transcripts, journals, includes personal correspondence, handwritten notes, clippings, source material, and installation photographs.
Owens, Laura #ad - Prestel. Mit Pr. Reflections by more than twenty of owens’s fellow artists, dealers, and friends offer an array of perspectives on her work at different periods in her life, family members, collaborators, assistants, beginning with her high school years in Ohio and ending with her current exhibition.1970 features an incisive introduction by scott rothkopf, critical essays, literary texts, and short commentaries on a variety of subjects related to the artist’s broad interests, which range from folk art and needlework to comics and wallpaper.
Forensic Architecture: Violence at the Threshold of Detectability Zone BooksZone Books #ad - The practice calls for a transformative politics in which architecture as a field of knowledge and a mode of interpretation exposes and confronts ever-new forms of state violence and secrecy. Today, amnesty international, ngos, the group provides crucial evidence for international courts and works with a wide range of activist groups, and the UN.
Forensic architecture Violence at the Threshold of Detectability. Mit Pr. Traversing multiple scales and durations, a blow-by-blow account of a day-long battle in gaza, the architectural recreation of a secret Syrian detention center from the memory of its survivors, the reconstruction of a contested shooting in the West Bank, the case studies in this volume include the analysis of the shrapnel fragments in a room struck by drones in Pakistan, and an investigation of environmental violence and climate change in the Guatemalan highlands and elsewhere.
Forensic Architecture: Violence at the Threshold of Detectability Zone Books #ad - Weizman's forensic architecture, and daring investigations, technologically, powerful images, presents a new form of public truth, architecturally, stunning and shocking in its critical narrative, and aesthetically produced. The book includes an extensive array of images, maps, and detailed documentation that records the intricate work the group has performed.
Forensic architecture has not only shed new light on human rights violations and state crimes across the globe, but has also created a new form of investigative practice that bears its name. A new form of investigative practice that uses architecture as an optical device to investigate armed conflicts and environmental destruction.
In recent years, the group Forensic Architecture began using novel research methods to undertake a series of investigations into human rights abuses. Yale university press academic.
Beyond Objecthood: The Exhibition as a Critical Form since 1968 The MIT PressThe MIT Press #ad - The rise of the exhibition as critical form and artistic medium, from Robert Smithson's antimodernist non-sites in 1968 to today's institutional gravitation toward the participatory. In 1968, robert smithson reacted to michael Fried's influential essay “Art and Objecthood” with a series of works called non-sites.
Yale university press academic. Mit. In beyond objecthood, james voorhies traces a genealogy of spectatorship through the rise of the exhibition as a critical form―and artistic medium. Artists like smithson, and michael asher sought to reconfigure and expand the exhibition and the museum into something more active, Group Material, open, and democratic, by inviting spectators into new and unexpected encounters with works of art and institutions.
Forensic architecture Violence at the Threshold of Detectability. Mit Pr. Prestel. Voorhies examines recent artistic and curatorial work by liam gillick, at such institutions as Documenta, Manifesta, Thomas Hirschhorn, Maria Lind, Carsten Höller, Apolonija Šušteršic, and Office for Contemporary Art Norway, e-flux, and others, and he considers the continued potential of the exhibition as a critical form in a time when the differences between art and entertainment increasingly blur.
Beyond Objecthood: The Exhibition as a Critical Form since 1968 The MIT Press #ad - While fried described the spectator's connection with a work of art as a momentary visual engagement, images, walking, Smithson's non-sites asked spectators to do something more: to take time looking, reading, and thinking about the combination of objects, seeing, and texts installed in a gallery. This practice was sharply critical of the ingrained characteristics long associated with art institutions and conventional exhibition-making; and yet, Voorhies finds, over time the critique has been diluted by efforts of the very institutions that now gravitate to the “participatory.
Isa Genzken Volume 17 October Files 17The MIT Press #ad - D. Buchloh, diedrich diederichsen, Hal Foster, Lisa Lee, Isabelle Graw, Isa Genzken, Pamela M. Generously illustrated essays consider Isa Genzken's remarkable body of work, from her early elegant floor pieces to her later explosive assemblages. Since the late 1970s, the Berlin-based contemporary artist Isa Genzken b.
1948 has produced a body of work that is remarkable for its formal and material inventiveness. D. Forensic architecture Violence at the Threshold of Detectability. Her heterogeneous assemblages, a New York Times critic observes, improvisational, are “brash, full of searing color and attitude. Genzken, the recent subject of a major retrospective at MoMA, offers a highly original interpretation of modernist, avant-garde, and postminimalist practices even as she engages pressing sociopolitics and economic issues of the present.
Isa Genzken Volume 17 October Files 17 #ad - These illustrated essays address the full span of Genzken's work, bursting with color and bristling with bric-a-brac, from the elegant floor sculptures with which she began her career to the assemblages, that she has produced since the beginning of the millennium. D. Buchloh: isa Genzken: Fuck the Bauhaus.
D. Buchloh: all things being equal 2005 • wolfgang tillmans: isa genzken: a conversation with wolfgang tillmans 2003 • diedrich diederichsen: diedrich diederichsen in conversation with isa genzken 2006 • lisa lee: “make life beautiful!” the Diabolic in the Work of Isa Genzken A Tour Through Berlin, Paris, and New York 2007 • Lawrence Weiner: Isa Genzken Again 2010 • Juliane Rebentisch: The Dialectic of Beauty: On the Work of Isa Genzken 2007 • Yve-Alain Bois: The Bum and the Architect 2007 • Josef Strau: Isa Genzken: Sculpture as Narrative Urbanism 2009 • Hal Foster: Fantastic Destruction 2014 Prestel.
Trevor Paglen Phaidon Contemporary Artists SeriesPhaidon Press #ad - Mit. Yale university press academic. Forensic architecture Violence at the Threshold of Detectability. This book presents over three decades of Paglen's groundbreaking work, making visible the structures and technologies that impact our lives. Prestel. Mit Pr. Blending photography, investigative journalism, installation, Paglen explores the clandestine activity of government and intelligence agencies, and science, using high-grade equipment to document their movements and reveal their hidden inner workings.
The first complete monograph on an artist whose work investigates surveillance and government secrecy in the digital ageTrevor Paglen's art gives visual geography to hidden forces, relentlessly pursuing what he calls the 'unseeable and undocumentable' in contemporary society.